Chin_up_chin_up


Chin Up Chin Up

This Harness Can't Ride Anything (Suicide Squeeze)

If the movie Pretty in Pink were made today, Chicago’s Chin Up Chin Up would replace Psychedelic Furs as the soundtrack band. A pining Jon Cryer and a dopey-eyed Andrew McCarthy notwithstanding, Pretty in Pink had a clap-ready, tear-jerking hometown feel to it that the band could only make better.

That’s because somewhere between Ringwald’s thick mascara and reconstructed prom dress is the Roxy Music-meets-the Fall heartbeat of This Harness Can’t Ride Anything, a tinkling, jerky, keyboard-heavy soundscape of frosted happiness tempered by vocal effects reminiscent of a throatier, hiccupping Isaac Brock in songs like “Water Planes in Snow” and “We’ve Got to Keep Running.” No surprise there, considering the 10-track album was produced by Modest Mouse’s producer Brian Deck, who brings ping-ponging guitar solos and layered vocal harmonies that unravel the breathy edge of Chin Up’s sound. That being said, there’s a vast difference between Modest Mouse’s tempered, ironic contentment and Chin Up’s hopelessly cheerful, shoulder-dancing vibe, particularly in numbers like the title track and “Trophies for Hire.”

Such open life-embracing gushing may be unexpected from the band whose first full-length was dourly titled We Should Have Never Lived Like Skyscrapers. It’s like Cryer’s character finding a candy machine in the lady’s bathroom. “What's this?,” he shrills. “We don't have a candy machine in the boys’ room!” This Harness is the candy machine in the boys’ room — its unapologetically and surprisingly happy. Whether in movies, or music, or life, this is harder to pull off than anyone suspects. 




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